CURATOR'S COLUMN: Kurt Beers on the Enduring Spirit of Andrew Salgado
It could be argued that art has always been used as a means of therapy. It has recorded man’s own plight since the Caves of Lascaux, and...
CURATOR'S COLUMN: I, Cyborg at Gazelli Art House
Opening last week, I, Cyborg presents artworks that explore the relationship between mankind, identity and technology, asking the...
Liverpool Biennial: Angry Penguins, The Two-Sided Lake and Other Stories
Liverpool Biennial 2016 explores fictions, stories, histories and takes us through time and space in six episodes. Located in an actual...
Curator's Column: Sophie Hill on Cross-Cultural Identity, Gender and Sexuality in the Arts
Apart from living & working in the East End for almost a decade, I was brought up to greatly admire the melting-pot Cockney heritage of...
Curator's Column: Death, A Modern Masterpiece
“Memento mori” from the Latin expression meaning “remember you must die” Death has been artist’s morbid obsession for centuries. The...
Curator's Column: Joachim Pissarro on Alberto Giacometti/ Yves Klein: In Search of the Absolute
The exhibition presently on view at Gagosian Gallery, Grosvenor Hill brings together two giant heads of post-war art in Europe. These two...
Curator's Column - Lawrence Van Hagen on 'WHAT'S UP' at Soho Revue
“What’s Up” is an ambitious and unique survey. The selection process has been ongoing for at least a year, during which time 50 artists...
